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gospel music
Gospel music may refer either to the religious music that first came out of African-American churches in the 1930's or, more loosely, to both black gospel music and to the religious music composed and sung by white southern Christian artists. While the separation between the two styles was never absolute — both drew from the Methodist hymnal and artists in one tradition sometimes sang songs belonging to the other — the sharp division between black and white America, particularly black and white churches, kept the two apart. While those divisions have lessened slightly in the past fifty years, the two traditions are still distinct.

In both traditions, some performers, such as Mahalia Jackson have limited themselves to appearing in religious contexts only, while others, such as the Golden Gate Quartet and Clara Ward, have performed gospel music in secular settings, even night clubs. Many performers, such as the Jordanaires, Al Green, and Solomon Burke have performed both secular and religious music. It is common for such performers to include a gospel songs in otherwise secular performances, although the opposite almost never happens.

Black Gospel

Its origins (1920s - 1940s)

What most people would identify today as "gospel music" — African-American religious music based on large church choirs, featuring virtuoso soloists — began very differently eighty years ago. The gospel music that Thomas A. Dorsey, Sallie Martin, Willie Mae Ford and other pioneers popularized had its roots in the more freewheeling forms of religious devotion of "Sanctified" or "Holiness" churches — sometimes called "holy rollers" by other denominations — who encouraged individual church members to "testify," speaking or singing spontaneously about their faith, sometimes while dancing in celebration. In the 1920s Sanctified artists, such as Arizona Dranes, many of whom were also traveling preachers, started making records in a style that melded traditional religious themes with barrelhouse and boogie woogie techniques and brought jazz instruments, such as drums and horns, into the church.

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Southern Gospel also drew much of its creative energy from the Holiness churches that arose throughout the south in the first decades of the twentieth century and that created new music, in addition to the traditional hymns of the eighteenth and nineteenth centuries, to accompany their new forms of worship.

Some early country gospel artists, such as The Carter Family, achieved wide popularity through their recordings and radio performances in the 1920s and 1930s. Others, such as Homer Rodeheaver, George Beverly Shea or Cliff Barrows, became well-known through their association with traveling evangelists such as Billy Sunday or Billy Graham.

Among the best known southern gospel performers are The Blackwood Brothers, the Jordanaires and the Oak Ridge Boys. As in the case of black gospel, the churchgoing audience for white gospel music has not always forgiven its stars, such as the Oak Ridge Boys, who have crossed over to pop music. Other traditional groups, such as The Imperials, helped lead the development of Contemporary Christian Music.

The Gospel Music Association is a major group of gospel artists who maintain a hall of fame covering all aspects of gospel music.

External links

- Gospel Music Association web site
- James D. Vaughan Publishing and School of Music
- Handbook of Texas Online: Gospel Music



Category:American music
Category:Christian music
Category:Gospel music
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This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "gospel music".  

 

gospel
:For the genre of Christian-themed music, see gospel music.

Gospels are a genre of ancient literature concerning the life of Jesus. The word derives from the Old English word for "Good News", a translation of the Greek word ευαγγελιον, euangelion. This refers to the 'good news' being told—that Jesus has redeemed a fallen world. Each of the books reveals, by preaching and reinterpretation, the story of Jesus Christ's life, the "Good News" about Christ's life and presence. The word gospel can also have a narrower meaning, especially when used by evangelical Christians, to mean the specific actions of Christ that are necessary for salvation.

The use of gospel (or its Greek equivalent) to denote a particular genre of writing dates back to the 2nd century. It was clearly used to denote a genre in Justin Martyr (c. 155) and more ambiguously so earlier in Ignatius of Antioch (c. 117).

Canonical Gospels

Of the many gospels written in antiquity, exactly four gospels came to be accepted as part of the New Testament or canonical, possibly as early as Irenaeus of Lyons, c. 185.

- Gospel of Matthew
- Gospel of Mark
- Gospel of Luke
- Gospel of John

Origin of the canonical Gospels

Among the Gospels, Matthew, Mark, and Luke include many of the same passages in the life of Jesus and sometimes use identical or very similar wording. John, on the other hand, expresses itself in a different style and relates the same incidents in a different way, and is often full of more encompassing theological and philosophical messages.

The parallels between the first three Gospels are so telling that many scholars have investigated the relationship between them. In order to study them more closely, German scholar JJ Griesbach (1776) arranged the first three gospels in a three-column table called a synopsis. As a result, the Matthew, Mark, and Luke have come to be known as the synoptic Gospels, and the question of the reason for this similarity, and the relationship between these Gospels more generally, is known as the synoptic problem.

Many solutions to the synoptic problem have been proposed, but the dominant view is that Mark is the first Gospel, with Matthew and Luke borrowing passages both from that Gospel and from another, lost source, known as Q. This view is known as the "Two Source" hypothesis.

Another theory which addresses the synoptic problem is the Farrer hypothesis. This theory maintains Markan priority (that Mark was written first) and dispenses with the need for a theoretical document Q. What Austin Farrer has argued is that Luke used Matthew as a source as well as Mark, explaining the similarities between them without having to refer to a hypothetical document.

Estimates for the dates when the gospels were written vary significantly, and the evidence for any of the dates is scanty. Conservative scholars tend to date earlier than others. The following are mostly the date ranges given by the late Raymond E. Brown, in his book An Introduction to the New Testament, as representing the general scholarly consensus in 1996:

- Matthew: c. 70–100 as the majority view, with conservative scholars arguing for a pre-70 date, particularly if they do not accept Mark as the first gospel written.
- Mark: c. 68–73
- Luke: c. 80–100, with most arguing for somewhere around 85
- John: c. 90–110. Brown does not give a consensus view for John, but these are dates as propounded by C K Barrett, among others. The majority view is that it was written in stages, so there was no one date of composition

Non-canonical gospels

In addition to the four canonical gospels there have been many other gospels that were not accepted into the canon.

The Infancy Gospel of Thomas (not to be confused with the Gospel of Thomas) related many incidents from the childhood of Jesus that are not included in the canonical gospels.

The Diatessaron was a harmonization of the four canonical gospels into single narrative by Tatian around AD 175. It was popular for at least two centuries in Syria, but eventually it fell into disuse and no copies of it have survived, except indirectly in some medieval Gospel harmonies that can be considered its descendants.

Marcion of Sinope, c. AD 150, produced his own edition of the Gospel of Luke in accordance with his dualistic belief in two different gods, the compassionate God of Christ and the cruel God of the Old Testament. Specifically, he removed those parts of Luke that he considered too Jewish. He also rejected all other gospels.

See also Secret Gospel of Mark.

Other books, which were not accepted, form part of the New Testament Apocrypha, and include:
- Gospel of Hermes
- Gospel of Thomas
- Gospel of Philip
- Gospel of Peter
- Gospel of Mary
- Gospel of the Egyptians
- Gospel of the Hebrews
- Gospel of James

Some of these works are similar in style and content to the canonical Gospels. Others are Gnostic in style and content, presenting a very different view of Jesus' teaching.

Other works claiming to be gospels have surfaced in later periods. The Gospel of Barnabas originates in the medieval period. Works from the modern period (sometimes called modern apocrypha) include the Aquarian Gospel of Jesus Christ and the Life of Issa. Parts of the Book of Mormon can also be considered to be a gospel, since they purport to tell of Jesus' appearances on the American continent.

Liturgical usage

In many Christian churches, all Christians present stand when a passage from one of the Gospels is read publicly, and sit when a passage from a different part of the Bible is read.

Usage in Eastern Orthodoxy liturgy

Typically, the Gospel is publicly read only by a priest or bishop, although other Bible passages may be read by a designated lay person. Or the Gospel is read by a deacon after a priest or bishop gives him benediction. As in other churches, all stand while the Gospel is being read. Also, the Gospel book is normally kept in a prominent place on the altar. The only thing that is permitted to occupy its place on the altar is the Body and Blood of Christ during the Divine Liturgy, or on certain feast days a Cross. When the Gospel is read, it is brought from the altar to the nave in procession, and afterwards returned to its place. The daily reading is determined according to the annual liturgy calendar, but on a feast day some appropriate part is read in addition to or in place of the part dictated by the regular reading order. The cycle of reading order begins in the Pascha (Easter) with the Gospel of John.

In the Matin of Sunday service, after the reading of Gospel by a priest, the faithful kiss the Bible and the Cross and then receive the benediction from a priest.

External links

- A detailed discussion of the textual variants in the Gospels (covering about 1200 variants on 2000 pages)
- Greek New Testament The original text of the New Testament, specifically the Westcott-Hort text from 1881, combined with the NA26/27 variants.
- Read Matthew at the World English Bible Website or at Bible Gateway

- Read Mark at the World English Bible Website or the Bible Gateway

- Read Luke at the World English Bible Website or the Bible Gateway

- Read John at the World English Bible Website or the Bible Gateway

- Essays on Gospel
- Introduction to the New Testament: The Gospels, by Dr. Robert Stein
- Thanks4supporting.us/biblesRead the Bible in other versions & translations
- Introduction to The Complete Gospels: canonical and non-canonical gospels (excerpt)
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This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "gospel".

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